![]() Much of this inspiration can be traced back to Rahman's starting career as a composer of commercial jingles, and this provides reason enough for his growing popularity among world fusion music aficionados. A strictly "Indian" vocal melody is placed over a techno-styled drum'n'bass background which otherwise would have been treated conventionally, with orchestral arrangements, by any other composer. "Saanwariya Saanwariya" proves the best paradigm of this approach here. ![]() Having rejected the age-old durational rhythm structure that makes each song musically concrete in Indian tradition, Rahman relied heavily on the principle of contrast, where the background, rather than providing a rhythmic direction to the song, acts as a colored canvas with a fragmented repetitive melodic design. The title track "Yeh Jo Des Hai Tera," along with its Shehnai instrumental, underlines Rahman's profound use of high-pitched vocals over sparse non-rhythmic instrumentation to create dramatically powerful themes. The same magnanimity is mirrored in the music of Swades. Rahman conducted a concert for the City of Birmingham Symphony Orchestra where his selected songs were played by the well-renowned, full 76-piece orchestra.
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